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Imogen Stidworthy

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Imogen Stidworthy (1963, Liverpool) is interested in language and the voice, which she works with as physical and spatial material. An ongoing preoccupation in her work is with the borders of language. She asks how we experience and conceive of a space where words are unstable, run out, or fail, and what other forms of understanding might emerge in the face of unreadability - in context, for example, of neurological or emotional conditions, linguistic or cultural differences.

Stidworthy's work has been exhibited in major exhibitions such as Busan Biennial (2012), October Salon (2011), Liverpool Biennial (2010), Documenta 12 (Kassel, DE), 2007), and solo shows at Matts Gallery London; (2011, 2006, 2003), The Arnolfini, Bristol, AKINCI, Amsterdam and Kunstpavillon, Innsbruck (2010-11). Stidworthy has curated two exhibitions addressing the borders of language through art works by many artists, which were shown alongside her own work and other materials such as musical notation and censored books: In the First Circle, in collaboration with Paul Domela, at Fundació Antoni Tapiès, Barcelona (2011-12), and Die Lucky Bush at MuKHA, Antwerp (2008). She has been shortlisted for several awards including the Jarman Award 2011, Becks Futures 2004 and The Northern Art Prize 2008; in 2008 she won the Liverpool Art Prize and in 1996, the Dutch Prix de Rome for Film and Video. Her work is in public and private collections, among others Centre Georges Pompidou, Paris; FRAC Bourgogne, Dijon, MuKHA, Antwerp and Fries Museum, Leeuwarden.. Stidworthy is represented by Matts Gallery, London and AKINCI