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First Virtual Birth (Maya Brush), 2011, computer animation, duration 2:38 min. First Virtual Birth (Maya Brush), 2011, computer animation, duration 2:38 min.
Facescape/ Dream of Beauty 5.0, 2005, computer animation, LCD, chip, 21 x 26 x 5 cm Touch Me, 1999, computer animation, touch screen, DVD system, 35 x 29 x 6 cm
First Virtual Birth (Maya Brush), 2011, computer animation, duration 2:38 min.
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Portfolio
Film |
Since the mid-1990s
Kirsten Geisler has been investigating the representation of the
three-dimensional body in a virtual space and with the construction and
manipulation of beauty. In Geisler's works the virtual person is a
symbol for the reflection of our dreams: young, beautiful, slender,
normal, healthy, and of course, never aging. Thus Geisler contributes to
the social debates over virtuality, digitization and the construction of
identity. Geisler's works comment on the ideal of beauty and the
delusions about beauty in contemporary society and the increasing
digitization and virtualization of the world.
Geisler studied at the Rietveld Academy and at the Rijksakademie in
Amsterdam. Her computer animations has been shown at Video Festivals in
the Netherlands and abroad. Geislers work has been exhibited at Kumu
Art Museum, Tallin (2011), Netherlands Media Art Institute, Amsterdam
(2011), Museo Nacional de Bellas Artes, Buenos Aires (2009), Kunstmuseum
Bremerhaven (2008), Museum Villa Rot, Burgrieden (2008), Chelsea Art
Museum, New York (2007), National Museum of Contemporary Art, Bucharest
(2006), Kunsthalle Osnabrück (2006), Museo de Arte Contemporáneo de
Castilla y León (2005), Museum of Art, San Jose (2005), Stedelijk
Museum, Schiedam (2005), James Cohan Gallery, New York (2004),
Kunsthalle Darmstads (2004), several times at Museum für Neue Kunst,
Karlsruhe, at AKINCI, Amsterdam and Gallery Thomas Schulte, Berlin.
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