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Stephan Balkenhol
Broersen & Lukács
Roger Cremers
Hadassah Emmerich
Jaap van den Ende
Cevdet Erek
Moyna Flannigan
Kirsten Geisler
Gluklya
Matthias Hoch
Juul Hondius
Thomas Huber
Axel Hütte
Elke Silvia Krystufek
Miguel Angel Rios
Andrei Roiter
Charlotte Schleiffert
Albrecht Schnider
Imogen Stidworthy
Esther Tielemans
Ronald Versloot
Anne Wenzel
Edwin Zwakman



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Jānis Avotiņš
Hansjoerg Dobliar
Theo Jansen
Petra Morenzi
Lea Asja Pagenkemper

Zbigniew Rogalski

 

 

 

   
 

Kirsten Geisler

 
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First Virtual Birth (Maya Brush), 2011, computer animation, duration 2:38 min.

 
 

 

Portfolio

Film

Since the mid-1990s Kirsten Geisler has been investigating the representation of the three-dimensional body in a virtual space and with the construction and manipulation of beauty. In Geisler's works the virtual person is a symbol for the reflection of our dreams: young, beautiful, slender, normal, healthy, and of course, never aging. Thus Geisler contributes to the social debates over virtuality, digitization and the construction of identity. Geisler's works comment on the ideal of beauty and the delusions about beauty in contemporary society and the increasing digitization and virtualization of the world.

Geisler studied at the Rietveld Academy and at the Rijksakademie in Amsterdam. Her computer animations has been shown at Video Festivals in the Netherlands and abroad.  Geisler’s work has been exhibited at Kumu Art Museum, Tallin (2011), Netherlands Media Art Institute, Amsterdam (2011), Museo Nacional de Bellas Artes, Buenos Aires (2009), Kunstmuseum Bremerhaven (2008), Museum Villa Rot, Burgrieden (2008), Chelsea Art Museum, New York (2007), National Museum of Contemporary Art, Bucharest (2006), Kunsthalle Osnabrück (2006), Museo de Arte Contemporáneo de Castilla y León (2005), Museum of Art, San Jose (2005), Stedelijk Museum, Schiedam (2005), James Cohan Gallery, New York (2004), Kunsthalle Darmstads (2004), several times at Museum für Neue Kunst, Karlsruhe, at AKINCI, Amsterdam and Gallery Thomas Schulte, Berlin.