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Represented
Stephan Balkenhol
Broersen & Lukács
Roger Cremers
Hadassah Emmerich
Jaap van den Ende
Cevdet Erek
Moyna Flannigan
Kirsten Geisler
Gluklya
Matthias Hoch
Juul Hondius
Thomas Huber
Axel Hütte
Elke Krystufek
Lea Asja Pagenkemper
Miguel Angel Rios
Andrei Roiter
Charlotte Schleiffert
Frank van der Salm
Imogen Stidworthy
Esther Tielemans
Ronald Versloot
Anne Wenzel
Edwin Zwakman

Guests
Jãnis Avotins
Dafni Barbageorgopoulou
Hansjoerg Dobliar
Paul Housley

Theo Jansen
Petra Morenzi
Raul Ortega Ayala  
Albrecht Schnider

 

   
 

Jaap van den Ende

 
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Tropische Tuin / Informele Systemen, 2010, oil on canvas, 150 x 150 cm

 
 

Anyone who is familiar with Jaap van den Ende's ( Delft, 1944) earlier formal, often abstract geometric work can see a radical U-turn in his current work based on flowers, landscapes and human figures. Jaap van den Ende started work on these emotionally charged paintings in which the figuration plays an important part in the late Eighties. All the same, his present-day procedure is still in line with the so-called ‘cool’ work of the Sixties and Seventies. Oppositions like reason and emotion, or that between system and intuition in his style of work, had already been present for a long time. It is just that he has developed different formal idioms for these premises during the last few years.
Van den Ende studied at the Koninklijke Academie voor Beeldende Kunst in The Hague. Van den Ende's rich oeuvre is to be found in various collections, including Van Abbenmuseum, Eindhoven, Städtisches Museum Abteiberg, Mönchengladbach, Museum Bochum, Bochum, Museum Boijmans Van Beuningen, Rotterdam, Gemeentemuseum Den Haag, Museum De Lakenhal, Leiden, Van Reekum Museum, Apeldoorn, Rijksdienst Verspreide Kunstvoorwerpen, Den Haag, Stedelijk Museum Amsterdam, Stedelijk Museum Het Prinsenhof, Delft, Stedelijk Museum Schiedam.